This new version by the greatly-gifted young Hungarian pianist Zoltan Kocsis, again vindicates the contention that The Art of Fugue makes its best effect as a keyboard work, even if on a modern piano. For Kocsis Bach's intellectual and technical demands seem to pose no problems: his exposition of the polyphonic conversation, whether, two, three or four participants are involved, is always admirably lucid and enables each voice to have its say. This is no doubt helped by the rather dry quality of the Hungaroton/ Philips recording on LP (the CD is appreciably fuller and brighter), and by Kocsis's very discreet use of the sustaining pedal.
Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and replaced quickly by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. The second volume features pianists André Previn, Zoltán Kocsis and Heidrun Holtmann performing the piano concerti Nos 1, 4, 23 and 24. The performances on this DVD were shot in highly attractive baroque venues – at the Teatro Scientifico del Bibiena in Mantua, in the Rittersaal of the Palais Waldstein in Prague and in the Grosse Galerie at Schloss Schönbrunn in Vienna – capturing the atmosphere of Mozart’s lifetime.