RUSSIAN ROULETTE is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled. The album returns Accept to the darker, heavier sound of releases prior to the more commercial-sounding predecessor Metal Heart.
2016 four CD set. Cooking Vinyl 1986 - 2016 brings together 70 of the finest tunes so far released by the Cooking Vinyl label including tracks by Oysterband, Cowboy Junkies, Tom Robinson, Bhundu Boys, Jackie Leven, Billy Bragg, The Wedding Present, Ani Difranco, Bert Jansch, The Church, Hayseed Dixie, American Music Club, Frank Black, Madness, Gary Numan, Amanda Palmer, Suzanne Vega, The Orb, Alison Moyet and many others.
This is a great compilation of the legendary German metal band Accept's earlier, best years! These were arguably the best years of the Heavy Metal genre, when power riffs, well structured and technical lead guitar work, and powerful vocals ruled the day. If you like REAL metal, get this!
1987 German 18-track compilation CD album featuring his greatest songs includes three lives tracks plus two bonus tracks. Fold-out picture sleeve including family tree.
Evolución is the name of a Chilean Progressive rock band. Although founded and active since the Eighties, keyboards player Pedro Muñoz' group had to wait for more than twenty years before its works were eventually published, thanks to the good care of the Musea and Mylodon labels. "La Era De Piscis" is thus a collection of pieces recorded between 1982 and 1986. As for the music, it is halfway between the Progressive rock of Camel ("Music Inspired By The Snow Goose" period) and Eighties-like fusion jazz-rock, the whole with an innate melodic sense. The quality of the whole album is simply so remarkable that you finally wonder why such music was never officially released earlier!
It's amazing how much a band can change in just three albums. "Waiting For the Roar," despite it's heavy title, is no where near as heavy, as British, or as original as the band's debut. Waiting For The Roar a typical metal album from this time. Maybe there is too much synth… but hey, that's what was in style at the time.
Bridge Over Troubled Water was one of the biggest-selling albums of its decade, and it hasn't fallen too far down on the list in years since. Apart from the gospel-flavored title track, which took some evolution to get to what it finally became, however, much of Bridge Over Troubled Water also constitutes a stepping back from the music that Simon & Garfunkel had made on Bookends – this was mostly because the creative partnership that had formed the body and the motivation for the duo's four prior albums literally consumed itself in the making of Bridge Over Troubled Water…